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Work

There is a constant challenge to maintain an equilibrium when constructing my pieces. I work with ceramic components, making structures in a variety of ways, using different clays and incorporating experimental surfaces as I go.

I see the process of assemblages, akin to collage and delight in that element of chance and how those unplanned mishaps during the making and experimenting, evolve into new ideas.

I try to hold back and not crowd an idea, developing an erudite language that flows with visual tension, creating intricate relationships between the forms. Clay for me is the perfect medium of sculptural expression, with remarkable scope and opportunities to tell stories and blend traditional and modern experimental techniques.

My work explores the disparity among materials and surface, between precise graphic notions and textured, weather-battered surfaces. The relationship between the fragility of a porcelain plant fragment, the strength of fractured solid clay, or the ethereal qualities of a smoky surface enveloping a form is an integral part of the process.

I am interested in alteration and the sense of balance throughout the making process but in the final stages of combining components, this is crucial to a successful outcome, intrinsically the clincher. 

 

Click on a picture to see an enlargement and start the slideshow.

 

New Collection











 

 

Typologies

Series 3





 

 

 

 

Typologies

Series 2







 

Gradus Collection 
Series 2

A series of collectable objects, ceramic assemblages, using various clay bodies and decorative techniques, which are constructed together post firing. 







 

Gradus Collection 
Series I

Hand built components made in a variety of different clays, creating different surfaces. Each collection is mounted onto a stepped platform. 





Photography by Richard Kalina

 

Typologies

Series 1

Hand built components made in a variety of different clays and incorporating some experimental firing techniques. Each selected group are mounted onto a ceramic plinth made from a complimentary clay. 





 

Tension Visuelle

Tension Visuelle 
Claire explores the concept of wearable sculpture with her new ceramic collection. Working in collaboration with master jeweller John Kitcher, who has interpreted her designs and skilfully made bespoke findings in hallmarked sterling silver to complement each piece.  









 

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